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Quinnah by Joseph Henry Sharp

Quinnah

Joseph Henry Sharp·1902

Historical Context

Quinnah at the Smithsonian American Art Museum is one of Sharp's portrait studies of individual Native Americans painted during his years at the Crow Agency in Montana and his earlier trips through the Southwest. Sharp was one of the founding members of the Taos Society of Artists and dedicated much of his career to painting Native American subjects with a seriousness that went beyond the picturesque tourism characterising much Western art. The Smithsonian's collection of his Native American portraits is the most comprehensive in any public institution, representing his systematic attempt to document individual identity rather than generic types.

Technical Analysis

Sharp's portrait technique is direct and observational, using warm, earthy pigments to render skin tones and the textures of clothing and adornment. The Taos light gave his portraits a particular warmth and clarity, and he preserved this quality in his approach to individual characterisation.

See It In Person

Smithsonian American Art Museum

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Smithsonian American Art Museum, Washington, D.C.
View on museum website →

More by Joseph Henry Sharp

Y-yut-mat by Joseph Henry Sharp

Y-yut-mat

Joseph Henry Sharp·1900

Two Dogs by Joseph Henry Sharp

Two Dogs

Joseph Henry Sharp·1900

Yellow Wings by Joseph Henry Sharp

Yellow Wings

Joseph Henry Sharp·1900

Do-Ree-Tah by Joseph Henry Sharp

Do-Ree-Tah

Joseph Henry Sharp·1900

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885