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Pomona by Childe Hassam

Pomona

Childe Hassam·1900

Historical Context

Pomona, the Roman goddess of fruit trees, orchards, and the harvest, is depicted in this 1900 canvas at the Smithsonian American Art Museum in Hassam's characteristic fusion of classical subject matter with his Impressionist figure style. The work belongs to a group of allegorical figure paintings in which Hassam engaged with academic subject matter while treating it with the light-drenched outdoor technique he had developed for landscape and urban scenes. Pomona offered a suitable subject for a garden or orchard setting, allowing him to combine figure and landscape in a single composition.

Technical Analysis

The figure is treated with a lightness of touch that absorbs her into the atmospheric surround rather than presenting her as a classical ideal distinct from her setting. The outdoor light models her form through the same broken-color technique Hassam applied to pure landscape, dissolving the traditional distinction between figure and environment.

See It In Person

Smithsonian American Art Museum

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Mythology
Location
Smithsonian American Art Museum, Washington, D.C.
View on museum website →

More by Childe Hassam

Grand Prix Day by Childe Hassam

Grand Prix Day

Childe Hassam·1887

Boston Common at Twilight by Childe Hassam

Boston Common at Twilight

Childe Hassam·1885

Rainy Day, Boston by Childe Hassam

Rainy Day, Boston

Childe Hassam·1885

Geraniums by Childe Hassam

Geraniums

Childe Hassam·1888

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885