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Woman and Peacock by Alice Pike Barney

Woman and Peacock

Alice Pike Barney·1900

Historical Context

Alice Pike Barney was an American Washington socialite, painter, and arts patron who studied in Paris and exhibited widely in the early twentieth century. Woman and Peacock (1900), now at the Smithsonian, reflects the Aesthetic Movement's fascination with the peacock as a symbol of beauty and artistic refinement — a motif Whistler had elevated to iconic status in his Peacock Room. Barney places a fashionably dressed woman alongside the exotic bird in a composition that fuses portraiture with decorative ambition.

Technical Analysis

The peacock's iridescent plumage provides a rich counterpoint to the woman's dress, with Barney exploiting the colour contrast between blue-green feathers and warm human tones. The handling is confident and somewhat theatrical, with the decorative elements given as much attention as the figure.

See It In Person

Smithsonian American Art Museum

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Genre
Location
Smithsonian American Art Museum, Washington, D.C.
View on museum website →

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Alice Pike Barney·1900

Study in Auburn by Alice Pike Barney

Study in Auburn

Alice Pike Barney·1904

Marie Huet by Alice Pike Barney

Marie Huet

Alice Pike Barney·1900

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885