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Triumph of the Marine Venus by Sebastiano Ricci

Triumph of the Marine Venus

Sebastiano Ricci·1713

Historical Context

This 1713 Triumph of the Marine Venus at the Getty Museum was painted during the period of Ricci's greatest international recognition, when he was working for patrons across Italy, Austria, and England. The marine triumph — Venus rising from or riding the sea attended by tritons and nymphs — was a traditional subject with roots in the Hellenistic and Roman tradition of depicting divine marine epiphany, revived by Renaissance painters and treated with increasing sensuous elaboration in the Baroque. Ricci's version brings his characteristically warm Venetian palette to the marine subject, the goddess's light-suffused body contrasting with the blue-green sea and the attendants' varied postures.

Technical Analysis

The marine procession is rendered with brilliant aquatic colors and luminous flesh tones, Ricci's fluid brushwork creating a sense of movement through waves and air that demonstrates his mastery of large-scale decorative composition.

See It In Person

J. Paul Getty Museum

Los Angeles, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Rococo
Style
Venetian Rococo
Genre
Mythology
Location
J. Paul Getty Museum, Los Angeles
View on museum website →

More by Sebastiano Ricci

The Baptism of Christ by Sebastiano Ricci

The Baptism of Christ

Sebastiano Ricci·ca. 1713–14

The Continence of Scipio by Sebastiano Ricci

The Continence of Scipio

Sebastiano Ricci·c. 1706

The Holy Family with Angels by Sebastiano Ricci

The Holy Family with Angels

Sebastiano Ricci·ca. 1700

Study for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan) by Sebastiano Ricci

Study for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan)

Sebastiano Ricci·c. 1695

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

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