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Madonna and Child Enthroned with Four Saints by Margaritone d'Arezzo

Madonna and Child Enthroned with Four Saints

Margaritone d'Arezzo·1240

Historical Context

Madonna and Child Enthroned with Four Saints by Margaritone d'Arezzo (active c. 1240–1290) is an important work by one of the few 13th-century Italian painters whose name is securely documented. Now at the National Gallery of Art in Washington, the painting reflects the Italo-Byzantine style that dominated Tuscan panel painting before the revolutionary innovations of Cimabue and Giotto. Margaritone, praised by Vasari as a leading painter of his generation, produced devotional panels for churches across Arezzo and the surrounding region.

Technical Analysis

Executed in tempera and gold leaf on panel, the work displays the flat, hieratic compositions and linear drapery patterns of the Italo-Byzantine tradition. The figures are arranged symmetrically around the enthroned Virgin against a burnished gold ground, with minimal spatial depth and stylized facial features.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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The Virgin and Child Enthroned, with Narrative Scenes by Margaritone d'Arezzo

The Virgin and Child Enthroned, with Narrative Scenes

Margaritone d'Arezzo·1250

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Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

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