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The Crucifixion by Bernardo Daddi

The Crucifixion

Bernardo Daddi·1325

Historical Context

Bernardo Daddi's Crucifixion belongs to his extensive production of Passion imagery, demonstrating his mastery of Giotto's compositional legacy while developing his own more emotionally intimate approach. Daddi produced numerous versions of the Crucifixion in both large altarpiece format and small devotional panels, each adapting the standard iconographic program to the specific devotional context. His cross panels are distinguished by the careful psychological characterization of the mourning figures and the precise rendering of Christ's body that combined anatomical observation with the theological requirement of conveying both suffering and serene acceptance.

Technical Analysis

Egg tempera and gold leaf on poplar panel, with Daddi's characteristically gentle figural style. The Crucified Christ displays convincing anatomical weight, while the mourning figures at the foot of the cross are rendered with expressive pathos through careful gesture and drapery arrangement.

See It In Person

Metropolitan Museum of Art

New York, United States

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Quick Facts

Medium
Tempera on panel
Dimensions
44.5 × 28.9 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

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Saint Lawrence by Bernardo Daddi

Saint Lawrence

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Saint Pancras Polyptych by Bernardo Daddi

Saint Pancras Polyptych

Bernardo Daddi·1338

Madonna and Child with Sts Matthew and Nicholas by Bernardo Daddi

Madonna and Child with Sts Matthew and Nicholas

Bernardo Daddi·1328

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295