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Self-Portrait with Two Pupils by Adélaïde Labille-Guiard

Self-Portrait with Two Pupils

Adélaïde Labille-Guiard·1785

Historical Context

Labille-Guiard exhibited this landmark self-portrait with two of her pupils at the Salon of 1785, making a powerful statement about women's place in the art world. The painting shows her at her easel, flanked by Marie-Gabrielle Capet and Mademoiselle Carreaux de Rosemond, asserting both her artistic skill and her role as teacher. It remains one of the most important images of female artistic ambition in the 18th century.

Technical Analysis

Labille-Guiard renders the three figures in an ambitious group composition with masterful handling of different textile surfaces—silk, lace, and satin. The large scale and confident execution were intended to demonstrate that women could paint as boldly as their male counterparts.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
210.8 × 151.1 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Metropolitan Museum of Art, New York
View on museum website →

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Madame Elisabeth de France (1764–1794) by Adélaïde Labille-Guiard

Madame Elisabeth de France (1764–1794)

Adélaïde Labille-Guiard·ca. 1787

Madame de Selve faisant de la musique by Adélaïde Labille-Guiard

Madame de Selve faisant de la musique

Adélaïde Labille-Guiard·1787

Madame Élisabeth de France (1764–1794) by Adélaïde Labille-Guiard

Madame Élisabeth de France (1764–1794)

Adélaïde Labille-Guiard·1787

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