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The Buddha by Odilon Redon

The Buddha

Odilon Redon·1904

Historical Context

The Buddha from around 1904, at the Van Gogh Museum in Amsterdam, is among the most spiritually explicit of Redon's works — a representation of the Enlightened One that reflects the deep interest in Eastern philosophy that permeated Symbolist circles in Paris from the 1880s onward. Redon was drawn to mystical and transcendent subjects throughout his career, from his early lithographic nightmares to the serene spiritual visions of his later color work. The Buddha image was available to French artists through Buddhist objects in the Musée Guimet, which opened in Paris in 1889 and introduced Asian religious art to a broad public.

Technical Analysis

The Buddha figure is rendered in warm, luminous color that gives the image a quality of radiant calm quite different from Redon's early charcoal work. The pastel or oil medium — possibly mixed — is characteristic of his late technique, allowing soft, saturated tones without the harshness of pure oil pigment.

See It In Person

Van Gogh Museum

Amsterdam, Netherlands

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Van Gogh Museum, Amsterdam
View on museum website →

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Navet by Odilon Redon

Navet

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Les rochers (Rochers en Bretagne) by Odilon Redon

Les rochers (Rochers en Bretagne)

Odilon Redon·1875

Rue de village by Odilon Redon

Rue de village

Odilon Redon·1875

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885