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Septimius Severus and Caracalla by Jean-Baptiste Greuze

Septimius Severus and Caracalla

Jean-Baptiste Greuze·1769

Historical Context

Greuze painted Septimius Severus and Caracalla around 1769, his submission to the French Royal Academy for reception as a history painter — an application the Academy rejected, insisting that his talent was for genre rather than history. The scene depicted the Roman emperor Septimius Severus reproaching his son Caracalla for having attempted to assassinate him during the Scottish campaign. Greuze intended the work to prove his ability to compete in the most prestigious genre, but the Academy's rejection — insisting that his real strength lay in genre painting — was a professional humiliation that poisoned his relationship with the French art establishment for the rest of his career.

Technical Analysis

Greuze attempts the austere classical manner expected of history painting but retains the sentimental expression and soft modeling of his genre work. The tension between historical ambition and genre temperament explains the Académie's mixed reception.

See It In Person

Académie royale de peinture et de sculpture

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
124 × 160 cm
Era
Rococo
Style
French Rococo
Genre
Genre
Location
Académie royale de peinture et de sculpture, Paris
View on museum website →

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Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817) by Jean-Baptiste Greuze

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