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The sleepwalking Lady Macbeth by Henry Fuseli

The sleepwalking Lady Macbeth

Henry Fuseli·1781

Historical Context

Henry Fuseli painted The Sleepwalking Lady Macbeth around 1781–84, depicting the supernatural guilt scene from Shakespeare's tragedy in which the guilt-ridden queen sleepwalks through the castle, reliving the murder of Duncan in a trance. The subject was ideal for Fuseli's interest in the boundary between waking and sleeping states, consciousness and unconscious compulsion, rational action and psychological possession. His Lady Macbeth combines physical grandeur — the figure is monumental, her bearing almost regal even in her derangement — with psychological dissolution, the eyes blank and the gestures automatous. The work is one of his finest Shakespearean paintings and a major contribution to the Romantic tradition of psychological portraiture.

Technical Analysis

Fuseli renders Lady Macbeth as a ghostly, spectral figure moving through darkness, her white nightgown creating a stark contrast with the surrounding gloom. The elongated proportions and eerie lighting create an atmosphere of psychological horror.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
221 × 160 cm
Era
Romanticism
Style
British Romanticism
Genre
Genre
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Milton Dictating to His Daughter by Henry Fuseli

Milton Dictating to His Daughter

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso) by Henry Fuseli

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli·1770–78

Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli·1779–81 (recto); 1785–90 (verso)

The Night-Hag Visiting Lapland Witches by Henry Fuseli

The Night-Hag Visiting Lapland Witches

Henry Fuseli·1796

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