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The Lorelei by Childe Hassam

The Lorelei

Childe Hassam·1904

Historical Context

Childe Hassam's 'The Lorelei' (1904) takes its title from the famous Rhine legend — the Lorelei rock on the Rhine where a beautiful siren lured sailors to their doom. Hassam's engagement with this German romantic legend during his European travels connected him to the international cultural tradition of the Rhine as a subject laden with mythology and landscape beauty. The Lorelei subject combined the natural drama of the Rhine gorge with the cultural resonance of the legend.

Technical Analysis

Hassam renders the Lorelei subject with his characteristic Impressionist approach — the Rhine landscape's specific character (the dramatic gorge, the rock formation, the quality of the German Rhine valley light) depicted with his direct, plein air observation. His handling of the light on the water and the rocky cliffs creates the atmospheric character of the legendary site. His American Impressionist approach adapted to the specific character of the German Rhine valley landscape.

See It In Person

Walters Art Museum

Baltimore, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Walters Art Museum, Baltimore
View on museum website →

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Rainy Day, Boston by Childe Hassam

Rainy Day, Boston

Childe Hassam·1885

Geraniums by Childe Hassam

Geraniums

Childe Hassam·1888

More from the Post-Impressionism Period

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Rocks and Trees (Rochers et arbres)

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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