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Self Portrait in a Straw Hat by Élisabeth Louise Vigée Le Brun

Self Portrait in a Straw Hat

Élisabeth Louise Vigée Le Brun·1782

Historical Context

Vigée Le Brun painted Self-Portrait in a Straw Hat around 1782, one of her most celebrated and technically ambitious self-portraits, modeled on Rubens's portrait of his sister-in-law Susanna Lunden (known as 'Le Chapeau de Paille' in the Brussels collection). The challenge Vigée Le Brun set herself was to capture the specific optical effect of outdoor light from above the picture plane — the light source visible within the composition — that Rubens had achieved, demonstrating by competing with the greatest Flemish master that her own abilities matched his across the gender divide that conventionally separated women from the highest achievements of European painting.

Technical Analysis

Vigée Le Brun captures brilliant outdoor light filtering through the straw hat brim, creating the luminous complexion effects she learned from studying Rubens. The warm palette and fresh brushwork give the self-portrait an immediacy that transcends 18th-century formality.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
97.8 × 70.5 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
National Gallery, London
View on museum website →

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Madame d'Aguesseau de Fresnes by Élisabeth-Louise Vigée Le Brun

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Élisabeth-Louise Vigée Le Brun·1789

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Élisabeth-Louise Vigée Le Brun

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Élisabeth-Louise Vigée Le Brun·1787

Madame du Barry by Élisabeth Louise Vigée Le Brun

Madame du Barry

Élisabeth Louise Vigée Le Brun·1782

Marie Antoinette with a Rose by Élisabeth Louise Vigée Le Brun

Marie Antoinette with a Rose

Élisabeth Louise Vigée Le Brun·1783

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