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Percival Delivering Belisane from the Enchantment of Urma by Henry Fuseli

Percival Delivering Belisane from the Enchantment of Urma

Henry Fuseli·1783

Historical Context

Fuseli painted this scene from Spenser and Arthurian legend in 1783, depicting Percival rescuing Belisane from the sorceress Urma. Fuseli specialized in supernatural terror and literary fantasy, bridging the Neoclassical and Romantic periods with his dark imagination. Fuseli executed his visionary subjects in oil using dramatic chiaroscuro derived from his study of Michelangelo and Mannerist painting, creating nightmarish images of supernatural power that established him as the most original Bri

Technical Analysis

Fuseli's elongated, contorted figures and dramatic contrasts create otherworldly menace. The composition emphasizes vertical energy and muscular dynamism in his distinctive mannerist style.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
99.1 × 125.7 cm
Era
Romanticism
Style
British Romanticism
Genre
Genre
Location
National Gallery, London
View on museum website →

More by Henry Fuseli

Milton Dictating to His Daughter by Henry Fuseli

Milton Dictating to His Daughter

Henry Fuseli·1794

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso) by Henry Fuseli

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli·1770–78

Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli·1779–81 (recto); 1785–90 (verso)

The Night-Hag Visiting Lapland Witches by Henry Fuseli

The Night-Hag Visiting Lapland Witches

Henry Fuseli·1796

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836