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Toussaint Lemaistre (1807/8–1888) by Jean Baptiste Camille Corot

Toussaint Lemaistre (1807/8–1888)

Jean Baptiste Camille Corot·1833

Historical Context

Corot's 1833 portrait of Toussaint Lemaistre is an uncommon example of the artist's work in portraiture, a genre he practiced throughout his career but rarely exhibited. Most of Corot's portraits were of friends and family, painted with the same quiet observation he brought to landscape, and this example at the Metropolitan Museum shows his understated approach to characterization. Three Italian journeys provided the classical foundation for his work; later he developed the atmospheric 'souvenirs' that inspired the Impressionists. Extremely generous to younger artists, he left most of his estate to the poor.

Technical Analysis

The sitter is rendered with Corot's characteristic restraint, muted tones and soft modeling creating a contemplative presence that avoids the theatrical lighting and dramatic poses of conventional portraiture.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
38.4 × 29.5 cm
Era
Romanticism
Style
French Romanticism
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

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Jean Baptiste Camille Corot·1840–50

Nymphs Leaving the Bath by Jean Baptiste Camille Corot

Nymphs Leaving the Bath

Jean Baptiste Camille Corot·1843

Haydée by Imitator of Jean Baptiste Camille Corot

Haydée

Imitator of Jean Baptiste Camille Corot·19th century

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Portrait of Emmanuel Rio

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