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Drunken Silenus by Jusepe de Ribera

Drunken Silenus

Jusepe de Ribera·1626

Historical Context

Drunken Silenus (1626), in the Museo di Capodimonte in Naples, is one of Ribera's powerful early works depicting the corpulent companion of Bacchus in a state of wine-fueled revelry. Ribera brings his characteristic naturalistic intensity to this mythological subject, rendering Silenus's aging body with unflinching physical truth. The painting demonstrates Ribera's synthesis of Caravaggesque tenebrism with his own Valencian directness, creating images of raw physical presence that shocked and fascinated his Neapolitan audience. Capodimonte's collection of Ribera's work is among the finest in the world, reflecting his long career in Naples where he was known as "Lo Spagnoletto."

Technical Analysis

Ribera renders the obese, aging body of Silenus with clinical naturalistic precision, refusing to idealize the mythological figure. The strong Caravaggesque lighting creates dramatic contrasts across the corpulent flesh, while the surrounding satyrs are painted with earthy, physical immediacy.

See It In Person

Museo di Capodimonte

Naples, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
185 × 229 cm
Era
Baroque
Style
Spanish Baroque
Genre
Mythology
Location
Museo di Capodimonte, Naples
View on museum website →

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The Holy Family with Saints Anne and Catherine of Alexandria by Jusepe de Ribera (called Lo Spagnoletto)

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Jusepe de Ribera (called Lo Spagnoletto)·1648

The Tears of Saint Peter by Jusepe de Ribera (called Lo Spagnoletto)

The Tears of Saint Peter

Jusepe de Ribera (called Lo Spagnoletto)·ca. 1612–13

Saint Jerome by Jusepe de Ribera

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