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Portrait of Nataliya Petrovna Golitsyna
Historical Context
Princess Nataliya Petrovna Golitsyna, a member of one of Russia"s most powerful aristocratic families, sits for this portrait around 1760. Russian aristocrats frequently commissioned portraits from fashionable Parisian painters during visits to the French capital, and Drouais"s clientele extended beyond the French court to encompass the European diplomatic and aristocratic world that revolved around Versailles. Drouais was among the most successful portraitists of pre-Revolutionary France, working in the tradition of his father Hubert Drouais and studying under Carle van Loo, Natoire, and Boucher before establishing himself at court.
Technical Analysis
The Russian princess is presented in the French court style, with Drouais applying the same polished technique to a foreign sitter as to French royalty. The costume and jewels indicate the sitter"s wealth and rank, rendered with Drouais"s characteristic precision. The flesh painting shows the smooth, porcelain-like finish that distinguished his work from the more painterly approach of some contemporaries.
See It In Person
More by François Hubert Drouais
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Madame Sophie de France (1734–1782)
François Hubert Drouais·1762

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)
François Hubert Drouais·1757

Portrait of a Young Woman as a Vestal Virgin
François Hubert Drouais·1767

Portrait of the Marquise d'Aguirandes
François Hubert Drouais·1759



