Bushes
Konstantin Korovin·1919
Historical Context
Painted in 1919, 'Bushes' dates from the turbulent post-revolutionary period when Korovin was attempting to maintain his painting practice despite the upheaval following the Bolshevik Revolution. By 1919 the Russian art world was being forcibly restructured under new ideological imperatives, and artists of Korovin's generation who had built careers in the pre-revolutionary commercial system faced uncertain futures. Despite this context, 'Bushes' is a work of pure sensory pleasure: the Impressionist observation of light and color in foliage, executed with the confidence and freedom of a mature master. The Ekaterinburg Museum of Fine Arts holds this work from the late imperial and early Soviet period. The painting's entirely apolitical subject — engaged only with the visual pleasure of light on leaves — represents a kind of aesthetic resistance to the politicization of art that the Revolution was imposing on Russian culture, asserting the permanent value of sensory experience
Technical Analysis
The loose vibrant brushwork of Korovin's mature style is fully evident — rapid strokes of varied greens, yellows, and blues build the visual effect of sunlight on foliage through optical mixture rather than descriptive accuracy.
Look Closer
- ◆The paint surface is built from layered rapid brushstrokes creating an impression of leaves without describing each leaf
- ◆Color variety within green foliage — yellows, blues, ochres — shows how color behaves in strong outdoor light
- ◆The composition has no conventional focal point, organized around the sensory quality of light-filled foliage
- ◆The handling of light breaking through the bushes from behind creates the luminous glow characteristic of Korovin






