ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Porträt der Maria Pavlovna Volkonskaia (1816-1854) by Karl Bryullov

Porträt der Maria Pavlovna Volkonskaia (1816-1854)

Karl Bryullov·c. 1826

Historical Context

The Portrait of Maria Pavlovna Volkonskaia, painted c. 1826 and recorded with a note of her dates (1816–1854), depicts a young woman who would have been around ten years of age when the portrait was made, making this likely the portrait of a child — though it is also possible the date range in the title is erroneous or refers to a different person of the same name. If this is indeed a portrait of a ten-year-old, it would belong to Bryullov's early Italian years, when he produced numerous portraits alongside his genre work. Childhood portraiture in the early nineteenth century required adapting the formal language of adult portraiture for a smaller, more animated subject. If the subject is the Volkonskaia of that generation, she came from one of Russia's most distinguished princely families. The oil paint medium on canvas indicates this is a formal commission rather than a sketch.

Technical Analysis

An early portrait from Bryullov's Italian formation years would show the warm glazed technique he developed in Rome — rich tonal depth through transparent layers over opaque underpaint. The figure would be posed in three-quarter or frontal arrangement with academic light falling to model the face. Any setting would reflect the early nineteenth-century portrait convention of neutral or domestic background.

Look Closer

  • ◆If this depicts a child of approximately ten, notice how Bryullov adapts formal portrait conventions to capture youthful physiognomy and expression
  • ◆The warm Italian-period palette is likely visible even in this relatively early work — look for the glazed richness characteristic of Bryullov's Rome years
  • ◆The formal portrait conventions — pose, light, costume — apply even to a child subject; notice how ceremony and individuality are balanced
  • ◆The sitter's Volkonskaia family identity, if confirmed, connects this portrait to one of Russia's most ancient noble dynasties

See It In Person

,

Visit museum website →

Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Romanticism
Genre
Genre
Location
,
View on museum website →

More by Karl Bryullov

Andrey Mikhailovich Bolotov by Karl Bryullov

Andrey Mikhailovich Bolotov

Karl Bryullov·1843

Catherine Semenova by Karl Bryullov

Catherine Semenova

Karl Bryullov·1849

Nicolaus Zdekauer by Karl Bryullov

Nicolaus Zdekauer

Karl Bryullov·1848

Портрет Фёдора Прянишникова by Karl Bryullov

Портрет Фёдора Прянишникова

Karl Bryullov·1849

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836