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Farewell of Hector and Andromache
Angelica Kauffmann·c. 1774
Historical Context
This painting of the Farewell of Hector and Andromache from around 1774 treats one of the most emotionally charged scenes from Homer's Iliad. Kauffmann's history paintings brought a distinctly feminine sensibility to the heroic subjects that dominated academic art, emphasizing emotional tenderness over martial glory. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.
Technical Analysis
The composition demonstrates Kauffmann's characteristic approach to history painting, with elegantly posed figures and soft, harmonious color that prioritize emotional expression over dramatic violence.
See It In Person
More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter
Angelica Kauffmann·c. 1771

The Sorrow of Telemachus
Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso
Angelica Kauffmann·1782
%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



