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Gosport, Hampshire by Edward William Cooke

Gosport, Hampshire

Edward William Cooke·c. 1846

Historical Context

Cooke's view of Gosport faces Portsmouth across the harbor entrance—the narrow channel through which all shipping entering or leaving Portsmouth had to pass—giving him a viewpoint of exceptional maritime activity and architectural interest. Gosport, the town facing Portsmouth from the western side of the harbor entrance, contained the Royal Clarence Victualling Yard and numerous maritime support facilities that made it an integral part of the naval infrastructure. Cooke's ability to render the specific quality of light and atmosphere in the harbor—the haze of industry, the glitter of busy water—combined with his precise rendering of vessel types gave his Portsmouth-area paintings a quality of comprehensive documentary record.

Technical Analysis

The topographical approach combines accurate architectural rendering of the waterfront with atmospheric treatment of the harbor waters and sky, balancing documentary precision with pictorial effect.

See It In Person

Ferens Art Gallery

Hull, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
45.5 × 61 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
Ferens Art Gallery, Hull
View on museum website →

More by Edward William Cooke

The Antiquary's Cell by Edward William Cooke

The Antiquary's Cell

Edward William Cooke·1835

Old Hastings by Edward William Cooke

Old Hastings

Edward William Cooke·1834-1835

A Mackerel on the Seashore by Edward William Cooke

A Mackerel on the Seashore

Edward William Cooke·1837

Windmills, Blackheath by Edward William Cooke

Windmills, Blackheath

Edward William Cooke·1835

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Dante's Bark

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Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836