ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

The Origin of the Harp by Daniel Maclise

The Origin of the Harp

Daniel Maclise·1842

Historical Context

Daniel Maclise painted The Origin of the Harp around 1842, depicting the Irish legend in which the first harp was made from the skeleton of a mermaid — specifically her fingers and hair forming the strings. The Celtic mythological subject was unusual in the mainstream British art world and reflects Maclise's Irish heritage, which gave him access to a body of legend and folklore not commonly treated in London exhibition painting. The mermaid figure — half woman, half fish, transformed into a musical instrument — gave him opportunity for the combination of decorative beauty, mythological narrative, and the female form that characterized his most ambitious exhibition paintings.

Technical Analysis

Maclise's meticulous draughtsmanship is evident in the precise rendering of the figure and the harp-like transformation. The luminous, jewel-toned palette and sinuous lines create a dreamlike quality suited to the mythological subject.

See It In Person

Manchester Art Gallery

Manchester, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
110.4 × 85 cm
Era
Romanticism
Style
Romanticism
Genre
Mythology
Location
Manchester Art Gallery, Manchester
View on museum website →

More by Daniel Maclise

Waterfall at St Nighton's Kieve, near Tintagel by Daniel Maclise

Waterfall at St Nighton's Kieve, near Tintagel

Daniel Maclise·1842

Macready as Werner by Daniel Maclise

Macready as Werner

Daniel Maclise·1849-1850

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I)

Daniel Maclise·1847-1848

John Forster by Daniel Maclise

John Forster

Daniel Maclise·1830

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836