
Madonna and Child Enthroned
Historical Context
This Madonna and Child Enthroned is attributed to the Maestro del Trittico Horne, an anonymous early Trecento painter working in Florence whose conventional name derives from a triptych in the Museo Horne. Painted around 1310, the work follows the Italo-Byzantine tradition of the enthroned Theotokos while showing early influence from Giotto's naturalistic reforms. Now in the Cini Palace Gallery in Venice, it documents the transitional moment when Florentine painting was moving from flat, hieratic forms toward volumetric solidity.
Technical Analysis
Tempera and gold on panel with a rigidly symmetrical throne composition typical of early Trecento Madonnas. The anonymous master employs traditional gold-ground conventions but introduces tentative three-dimensionality in the throne architecture.




