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La Sainte Trinité (retable de la Trinité) by Bartolo di Fredi

La Sainte Trinité (retable de la Trinité)

Bartolo di Fredi·1350

Historical Context

The Holy Trinity panel formed the central element of Bartolo di Fredi's Trinity Altarpiece, now partially dispersed between the Louvre and other collections. The subject of the Throne of Grace, depicting God the Father holding the crucified Christ with the Holy Spirit as a dove, was one of the primary iconographic formulas for representing the Trinity in Gothic art. Bartolo's rendering of this theologically complex subject demonstrates the Sienese school's capacity for combining doctrinal precision with visual splendor.

Technical Analysis

Egg tempera on panel with extensive gold ground, featuring the elaborate tooling and punch-work decoration characteristic of major Sienese altarpieces. Bartolo employs rich, saturated colors in the robes of God the Father, with the crucified Christ rendered in subtle flesh tones, creating a powerful contrast against the luminous gold.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
160 × 228 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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The Presentation at the Temple by Bartolo di Fredi

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