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La côte près du Cap de la Chèvre by Charles Cottet

La côte près du Cap de la Chèvre

Charles Cottet·1903

Historical Context

Charles Cottet's 1903 painting of the coast near Cap de la Chèvre on the Crozon Peninsula in Finistère belongs to his body of work documenting the dramatic Breton coastline with the dark, powerful palette he had developed in reaction to Impressionist brightness. Cap de la Chèvre — the 'Goat's Head' promontory at the tip of the Crozon Peninsula — was among the most exposed and dramatically beautiful sections of the Breton coast, with views across the Baie de Douarnenez and out to the Atlantic. Cottet's coastal paintings from Brittany are among the most accomplished French coastal landscapes of the period, distinguished by their tonal gravity and their responsiveness to the specific conditions of the Breton sea.

Technical Analysis

The dark Breton coast is rendered in Cottet's characteristically reduced palette — blue-greys, dark greens, and the pale light of an overcast Atlantic sky — with the dramatic headland forms establishing a powerful compositional structure against the sea. The paint handling is confident and somewhat impasto in the foreground rocks, becoming more atmospheric and fluid in the distant sea and sky.

See It In Person

Museum of Fine Arts of Reims

Reims, France

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Museum of Fine Arts of Reims, Reims
View on museum website →

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Breton Women in Mourning by Charles Cottet

Breton Women in Mourning

Charles Cottet·1903

Mourning in Ouessant by Charles Cottet

Mourning in Ouessant

Charles Cottet·1903

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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