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Diana and Endymion by Jérôme-Martin Langlois

Diana and Endymion

Jérôme-Martin Langlois·1822

Historical Context

Jérôme-Martin Langlois's Diana and Endymion (1822) depicts the myth of the moon goddess who fell in love with the beautiful shepherd Endymion and visited him each night while he slept an eternal sleep on Mount Latmos. The subject, with its melancholy mixture of beauty and inaccessibility, was popular throughout the Neoclassical and Romantic periods as an image of perfect, unconsummated love. Langlois, a student of David, treats the myth with the formal clarity of his master's school while allowing the moonlit nocturnal setting to introduce a Romantic atmosphere. The painting is now in the Louvre.

Technical Analysis

Langlois composes the scene with Diana descending from her chariot to regard the sleeping Endymion — the contrast between her luminous, standing figure and his recumbent form creating the central visual and emotional tension. The moonlit palette is cool and silvery, with the goddess's drapery and the sleeping shepherd's pale skin as the composition's light points against a dark landscape.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
320 × 213 cm
Era
Romanticism
Style
French Romanticism
Genre
Mythology
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Cassandra Imploring the Vengeance of Minerva Against Ajax by Jérôme-Martin Langlois

Cassandra Imploring the Vengeance of Minerva Against Ajax

Jérôme-Martin Langlois·1810

Priam at the feet of Achilles by Jérôme-Martin Langlois

Priam at the feet of Achilles

Jérôme-Martin Langlois·1809

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