
Susanna im Bade
Franz Stuck·1904
Historical Context
'Susanna im Bade' (Susanna in the Bath), painted in 1904, takes up the apocryphal story from the Book of Daniel in which the virtuous Susanna is spied upon while bathing by two corrupt elders who then falsely accuse her of adultery when she refuses their advances. The subject has a distinguished history in European painting — Tintoretto, Rembrandt, Guercino, and Artemisia Gentileschi all painted versions — and its appeal lay in the combination of a female nude in a vulnerable situation with a narrative of voyeurism and false accusation. Stuck's version at the St. Gallen Museum of Art in Switzerland belongs to his sustained engagement with the theme of the watched woman, alongside his Bathsheba and several nymph-encounter subjects. The voyeuristic structure of the Susanna narrative — the elders hidden in the garden, the woman unaware of being observed — mirrors the situation of the painting itself, which places the viewer in the position of the observing elders.
Technical Analysis
The bathing Susanna subject allows for the depiction of a reclining or semi-reclining nude in a garden setting, with the concealed elders providing implied narrative tension outside the pictorial frame.
Look Closer
- ◆The elders, if present in the composition, are typically reduced to shadowy presences — Stuck may exclude them.
- ◆Susanna's posture — whether defensive, oblivious, or caught mid-awareness — determines whether this is a painting.
- ◆The garden setting is rare for Stuck, who usually abstracts backgrounds; here the outdoor context is narratively.
- ◆Compare this to Stuck's Bathsheba — both depict women bathing while observed by a male gaze, but the moral valence.



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