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The Vision of Catherine of Aragon by Henry Fuseli

The Vision of Catherine of Aragon

Henry Fuseli·1781

Historical Context

Henry Fuseli painted The Vision of Catherine of Aragon around 1781, depicting the first wife of Henry VIII receiving a vision of angels in the tower where she was imprisoned after her repudiation by the king — a subject from Shakespeare's Henry VIII that combined historical drama with supernatural visitation. Catherine's suffering at the hands of Henry's desire for Anne Boleyn gave the subject a feminist dimension that Fuseli's treatment acknowledges through the dignity and spiritual authority he grants the kneeling queen amid the supernatural presences around her. The painting demonstrates his ability to integrate historical drama with supernatural vision in a single image.

Technical Analysis

Fuseli contrasts the earthly figure of the dying Catherine with ethereal angelic visitants, using dramatic lighting to divide the mortal and spiritual realms. The elongated, flowing forms of the angels exemplify Fuseli's distinctive mannerist figure style.

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Lytham St Annes Art Collection

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Quick Facts

Medium
Oil paint
Dimensions
147.3 × 210.8 cm
Era
Romanticism
Style
British Romanticism
Genre
Religious
Location
Lytham St Annes Art Collection,
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Milton Dictating to His Daughter by Henry Fuseli

Milton Dictating to His Daughter

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso) by Henry Fuseli

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli·1770–78

Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli·1779–81 (recto); 1785–90 (verso)

The Night-Hag Visiting Lapland Witches by Henry Fuseli

The Night-Hag Visiting Lapland Witches

Henry Fuseli·1796

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836