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Saint John the Baptist by Maso di Banco

Saint John the Baptist

Maso di Banco·1325

Historical Context

Maso di Banco's depiction of Saint John the Baptist, painted around 1325, reflects the Baptist's special importance as patron saint of Florence and one of the most frequently represented figures in Florentine art. As Giotto's most talented follower, Maso brought exceptional structural clarity and psychological presence to his sacred figures, making even conventional devotional subjects feel newly considered and intellectually engaged.

Technical Analysis

Painted in egg tempera and gold leaf on panel, the figure of the Baptist demonstrates Maso's characteristic sculptural modeling with firm contours and smoothly graduated tonal transitions. The geometric simplification of forms and cool palette create a monumental presence that transcends the panel's intimate scale.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

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Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

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Saint Anthony of Padua by Maso di Banco

Saint Anthony of Padua

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Triptych: Madonna with Saints and Christ Blessing (Center); The Nativity and the Annunciate Angel (Left Wing); Crucifixion and the Virgin Annunciate (Right Wing) by Maso di Banco

Triptych: Madonna with Saints and Christ Blessing (Center); The Nativity and the Annunciate Angel (Left Wing); Crucifixion and the Virgin Annunciate (Right Wing)

Maso di Banco·1336

Coronation of the Virgin by Maso di Banco

Coronation of the Virgin

Maso di Banco·1337

Virgin Enthroned with Saints, Nativity and Crucifixion by Maso di Banco

Virgin Enthroned with Saints, Nativity and Crucifixion

Maso di Banco·1335

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Madonna and Child of San Giorgio alla Costa by Giotto

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