
With bears in Siberia
Konstantin Korovin·1921
Historical Context
Painted in 1921, 'With Bears in Siberia' dates from the first years of Korovin's post-revolutionary period, before his emigration to Paris in 1922. The aftermath of the 1917 Revolution brought enormous disruption to Russian artistic life, and artists of Korovin's generation who had built careers in the pre-revolutionary patronage system faced uncertain futures. The Siberian bear-hunting subject draws on the tradition of Russian wildlife and landscape painting, connecting with subject matter that had particular resonances in a period of violent social transformation when images of the Russian land and its wildlife carried a heightened patriotic and nostalgic charge. The National Museum in Warsaw acquired this work through the complex channels by which European collections received Russian art in the early twentieth century.
Technical Analysis
Korovin's mature Impressionist technique is applied here to a wildlife subject quite different from his usual Mediterranean-influenced work. The contrast between the dark bears and white snow creates strong tonal anchors for the otherwise atmospheric brushwork.
Look Closer
- ◆The bears are rendered with physical conviction — weight and power captured with loose but sound brushwork
- ◆The Siberian winter landscape uses the characteristic cool blues and whites of the Russian Impressionist winter palette
- ◆The hunting scene is suggested rather than explicitly narrated, Korovin's interest remaining primarily visual
- ◆The handling of snow shows sensitivity to how it reflects and modifies ambient light rather than simply appearing white






