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Beach at Saint-Briac by Paul Signac

Beach at Saint-Briac

Paul Signac·1890

Historical Context

Beach at Saint-Briac (1890) was painted on Signac's return to the Brittany coast he had first visited in 1885, when he was still transitioning from Impressionism to divisionism. By 1890 his technique was fully matured, and the familiar beach at Saint-Briac-sur-Mer provided a testing ground for his developed systematic method applied to the cool Atlantic light of Brittany. The contrast with his contemporary Saint-Tropez paintings demonstrates divisionism's adaptability to radically different climates. Pushkin Museum of Fine Arts, Moscow.

Technical Analysis

The beach's pale sand and grey-blue Atlantic sea are rendered in cooler, more restrained dots than Signac's Mediterranean work. The divisionist surface is systematic but adapted to the diffuse northern light, with blue-grey and muted warm tones predominating over the warm primaries of his Provençal paintings.

See It In Person

Pushkin Museum of Fine Arts

Moscow, Russia

Visit museum website →

Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Pushkin Museum of Fine Arts, Moscow
View on museum website →

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Pont Mirabeau by Paul Signac

Pont Mirabeau

Paul Signac·1903

Concarneau by Paul Signac

Concarneau

Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885