
Line Fishing, Off Hastings
J. M. W. Turner·ca. 1835
Historical Context
Turner's Line Fishing, Off Hastings (c. 1835) depicts the small-boat commercial fishing industry that sustained Hastings and other Sussex fishing communities along the English Channel coast. Hastings's fishing fleet, operating from the beach rather than a harbor, was distinctive in using the tarred black net-drying sheds that remained characteristic of the town into the twentieth century. Turner's attention to working maritime subjects — not the grand vessels of naval painting but the small boats of coastal fishing — reflected both his democratic interest in the full range of maritime life and his artistic interest in the specific light and weather of the English Channel. The Channel's changeable grey-green light required different atmospheric treatment from the golden Mediterranean scenes he also painted.
Technical Analysis
The fishing boats are suggested with minimal detail against the vast expanse of sea and sky. Turner's handling of coastal atmosphere — the moisture-laden air, the shifting light — creates a unified envelope of color and light.
Look Closer
- ◆Notice the Channel coast atmosphere: the grey-green English Channel light, cooler and more diffuse than the Mediterranean, creates the specific quality of Hastings's marine environment.
- ◆Look at the fishing boats rendered as dark silhouettes against the sea: Turner reduces the material specificity of the boats to tonal shapes within the surrounding atmosphere.
- ◆Observe the wide horizontal expanse of sea and sky: the composition's horizontal emphasis captures the open, expansive quality of the English Channel that Turner knew from many coastal visits.
- ◆Find the Hastings fishing sheds on the shore: the distinctive black-tarred net-drying sheds are barely suggested, giving just enough topographic grounding to identify the location.
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: Paintings, Room 87, The Edwin and Susan Davies Galleries
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