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Black Gang Chine, Isle of Wight by Peter De Wint

Black Gang Chine, Isle of Wight

Peter De Wint·ca. 1843

Historical Context

Peter De Wint's Black Gang Chine, Isle of Wight (ca. 1843) captures one of the most dramatic coastal formations in southern England — a deep chine where a stream cuts through crumbling chalk and sandstone cliffs to the sea. De Wint visited the Isle of Wight in his later career, drawn by its varied coastline and picturesque scenery. By the 1840s the island had become a fashionable destination for artists and tourists alike, its rocky southern coastline offering a wilder counterpoint to the gentler pastoral subjects De Wint had long favored. This work represents the artist's engagement with the rougher, more sublime aspects of the English coastal landscape.

Technical Analysis

De Wint's handling of the chine exploits contrasts between the crumbling dark cliff face and luminous sky beyond. Broad, confident washes define the landmass, while the drama of light breaking over the cliff edge is achieved through careful reservation of paper white. The palette is dominated by raw sienna, neutral greys, and blue-greens.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Prints & Drawings Study Room, room WS

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Seascape
Location
Victoria and Albert Museum, London
Gallery
Prints & Drawings Study Room, room WS
View on museum website →

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Peter De Wint·ca. 1812-1816

Greenwich Park by Peter De Wint

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Peter De Wint·ca. 1818-1822

Haymaking by Peter De Wint

Haymaking

Peter De Wint·ca.1815 - ca.1830

A Cornfield by Peter De Wint

A Cornfield

Peter De Wint·ca. 1815

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