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The Twa Dogs by Edwin Henry Landseer

The Twa Dogs

Edwin Henry Landseer·1822

Historical Context

Landseer's The Twa Dogs depicts the two dogs from Robert Burns's poem of 1786 — the aristocratic Caesar and the plebeian Luath — whose conversation provides a satirical commentary on human social inequality. Burns's Twa Dogs allowed their conversation to observe, with more or less disguised irony, the different worlds of rich and poor as seen by innocent animal observers. Landseer's affection for Burns's poetry was deep — he painted numerous Burns subjects throughout his career — and his ability to render the specific breeds and characters of the two dogs with his characteristic psychological insight gave the literary subject genuine pictorial force. The painting exemplified his synthesis of literary illustration and animal painting.

Technical Analysis

The two dogs are differentiated through breed, grooming, and bearing to reflect their owners' social positions. Landseer's early technique already shows remarkable facility with animal texture and expression.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Prints & Drawings Study Room, room 315

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Animal
Location
Victoria and Albert Museum, London
Gallery
Prints & Drawings Study Room, room 315
View on museum website →

More by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan

Edwin Henry Landseer·c. 1830

Wounded Stag and Dog by Edwin Henry Landseer

Wounded Stag and Dog

Edwin Henry Landseer·c. 1825

Copy after Rubens's "Wolf and Fox Hunt" by Sir Edwin Henry Landseer

Copy after Rubens's "Wolf and Fox Hunt"

Sir Edwin Henry Landseer·ca. 1824–26

A Deerhound by Sir Edwin Henry Landseer

A Deerhound

Sir Edwin Henry Landseer·1826

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836