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Orestes hanging up the shield of Agamemnon by Thomas Stothard

Orestes hanging up the shield of Agamemnon

Thomas Stothard·late 18th century-pre 1834

Historical Context

Stothard's Orestes Hanging Up the Shield of Agamemnon illustrates a scene from ancient Greek mythology connected to the House of Atreus. Stothard's classical subjects, drawn from Greek tragedy and Homeric epic, reflected the Neoclassical taste of late Georgian England. As one of the most versatile artists of his generation, Stothard moved fluently between classical, Shakespearean, and medieval literary subjects.

Technical Analysis

Stothard's oil-on-canvas technique renders the classical subject with refined, elegant line and restrained color. The composition demonstrates his skill in arranging figures within an architectural setting, combining narrative clarity with decorative grace.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: In Store

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Mythology
Location
Victoria and Albert Museum, London
Gallery
In Store
View on museum website →

More by Thomas Stothard

Ferdinand, Ariel, Prospero and Miranda by Thomas Stothard

Ferdinand, Ariel, Prospero and Miranda

Thomas Stothard·ca. 1789

Lunette Sketch of Cupids Supporting an Escutcheon of the Prince of Wales for wall decorations by Thomas Stothard

Lunette Sketch of Cupids Supporting an Escutcheon of the Prince of Wales for wall decorations

Thomas Stothard·1775-1834

Shakespeare's Principal Characters by Thomas Stothard

Shakespeare's Principal Characters

Thomas Stothard·1812

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

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Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836