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The Dog and the Shadow by Edwin Henry Landseer

The Dog and the Shadow

Edwin Henry Landseer·1822

Historical Context

Landseer's The Dog and the Shadow depicts the fable from Aesop — the dog who drops his piece of meat to snap at its reflection in the water, losing both the reality and the illusion. The Aesopian fable, with its pointed moral about greed and the danger of being deceived by appearances, provided Landseer with a subject that combined his animal expertise with a moralizing narrative entirely appropriate to Victorian didactic taste. Landseer's use of animal subjects to convey moral messages was a central aspect of his appeal — his animals behaved in ways that illuminated human virtues and vices without the social specificity that would make human genre subjects class-coded.

Technical Analysis

The dog's expression of greed and surprise is rendered with remarkable anthropomorphic skill. The water reflection is handled with careful observation, and the overall composition creates a clear narrative readable at a glance.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Prints & Drawings Study Room, room 315

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Animal
Location
Victoria and Albert Museum, London
Gallery
Prints & Drawings Study Room, room 315
View on museum website →

More by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan

Edwin Henry Landseer·c. 1830

Wounded Stag and Dog by Edwin Henry Landseer

Wounded Stag and Dog

Edwin Henry Landseer·c. 1825

Copy after Rubens's "Wolf and Fox Hunt" by Sir Edwin Henry Landseer

Copy after Rubens's "Wolf and Fox Hunt"

Sir Edwin Henry Landseer·ca. 1824–26

A Deerhound by Sir Edwin Henry Landseer

A Deerhound

Sir Edwin Henry Landseer·1826

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836