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Sancho Panza and Dapple by Edwin Henry Landseer

Sancho Panza and Dapple

Edwin Henry Landseer·1824

Historical Context

Landseer's Sancho Panza and Dapple depicts Don Quixote's squire and his beloved donkey — a rare literary subject in Landseer's predominantly Highland animal oeuvre. The relationship between Sancho and Dapple, which Cervantes treated with considerable emotional depth (the squire grieves genuinely when his donkey is lost), was one of the novel's most affecting animal-human relationships. Landseer's treatment brought his expertise in animal characterization to the donkey — an animal he had painted throughout his career with the same sympathetic intelligence he brought to horses and dogs. Sancho's relationship with Dapple embodied the simple, mutual loyalty between man and working animal that was a recurring theme in Landseer's work.

Technical Analysis

The donkey is rendered with Landseer's typical sensitivity to animal character, its expression conveying the stubbornness and patience associated with the species. The figure of Sancho is painted with comic energy that complements the animal portrait.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: In Store

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Victoria and Albert Museum, London
Gallery
In Store
View on museum website →

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Head of a Roebuck and Two Ptarmigan by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan

Edwin Henry Landseer·c. 1830

Wounded Stag and Dog by Edwin Henry Landseer

Wounded Stag and Dog

Edwin Henry Landseer·c. 1825

Copy after Rubens's "Wolf and Fox Hunt" by Sir Edwin Henry Landseer

Copy after Rubens's "Wolf and Fox Hunt"

Sir Edwin Henry Landseer·ca. 1824–26

A Deerhound by Sir Edwin Henry Landseer

A Deerhound

Sir Edwin Henry Landseer·1826

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Dante's Bark

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Shipwreck

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Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836