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Salome (or Herodias) with the Head of John the Baptist by Carlo Dolci

Salome (or Herodias) with the Head of John the Baptist

Carlo Dolci·ca. 1665-1670

Historical Context

Carlo Dolci's Salome (or Herodias) with the Head of John the Baptist, painted around 1665-70, is a characteristic devotional painting by the most intensely pious painter of 17th-century Florence. Dolci's meticulous technique and rapturous spiritual expression made his religious paintings among the most prized in Europe. The subject of the Baptist's severed head, presented on a platter, was treated by Dolci with the same jewel-like refinement he brought to all devotional subjects.

Technical Analysis

Dolci's oil-on-canvas technique demonstrates his extraordinarily smooth, polished brushwork creating an almost enamel-like surface. The luminous flesh tones and rich, saturated colors are built through meticulous layering of thin glazes, achieving the devotional intensity that was his hallmark.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Europe 1600-1815, Room 7, The Sheikha Amna Bint Mohammed Al Thani Gallery

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
Victoria and Albert Museum, London
Gallery
Europe 1600-1815, Room 7, The Sheikha Amna Bint Mohammed Al Thani Gallery
View on museum website →

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Saint Philip Neri (1515–1595) by Carlo Dolci

Saint Philip Neri (1515–1595)

Carlo Dolci·1645 or 1646

Adoration of the Shepherds by Carlo Dolci

Adoration of the Shepherds

Carlo Dolci·c. 1670

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612