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Head of a woman from the Dream of Queen Katherine by Henry Fuseli

Head of a woman from the Dream of Queen Katherine

Henry Fuseli·1778-1788

Historical Context

Fuseli's Head of a Woman from the Dream of Queen Katherine, dated 1778-88, is a study related to his Shakespeare Gallery composition, isolated from its narrative context as a demonstration of his distinctive approach to the female face. Fuseli's female figures — whether supernatural visitants, sleeping dreamers, or heroic women from history and myth — are among the most distinctive in Western art, their combination of otherworldly beauty with psychological intensity creating a female type that recurs throughout his work. This head study shows his approach to the female face as a vehicle for states of experience that transcend ordinary psychological categories — not merely beautiful, but embodying qualities of supernatural receptivity or visionary intensity.

Technical Analysis

Fuseli renders the female head with dramatic, expressive intensity. The upturned face suggests ecstatic vision or the surrender of death, painted with bold chiaroscuro and fluid, atmospheric brushwork. The luminous flesh tones against the dark background create a powerful sense of spiritual transfiguration.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Prints & Drawings Study Room, room 315

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
Victoria and Albert Museum, London
Gallery
Prints & Drawings Study Room, room 315
View on museum website →

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Milton Dictating to His Daughter by Henry Fuseli

Milton Dictating to His Daughter

Henry Fuseli·1794

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso) by Henry Fuseli

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli·1770–78

Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli·1779–81 (recto); 1785–90 (verso)

The Night-Hag Visiting Lapland Witches by Henry Fuseli

The Night-Hag Visiting Lapland Witches

Henry Fuseli·1796

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The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836