Q119974297

Dated to 1680 and held in the Musée d'Art et d'Histoire de Cholet, this canvas by Bon Boullogne was made at a moment when the painter was deepening his involvement with the royal and academic milieu that would define his mature career. The early 1680s coincided with the final stages of Le Brun's decorative control at Versailles and the beginning of a more open competition among French painters for major commissions. Boullogne's work of this period shows his assimilation of both the Rubensian colour that was gaining academic legitimacy after the querelle du coloris and the firm Poussinist draughtsmanship that remained the Académie's structural foundation. The Cholet museum preserves regional collections that document the dispersal of artworks from noble and ecclesiastical properties during the Revolutionary period.

A work of Boullogne's early maturity, this 1680 canvas shows confident figure construction and the warm tonal management that would characterise his subsequent decades. The handling reflects his training under his father and the influence of Italian models encountered in Rome, synthesised into the distinctly French academic manner of his generation.