Q115739362

This second 1850 panel painting in the Museum of Fine Arts of Reims collection shows Ribot working through comparable problems to its sibling work from the same year, exploring subject matter and technical approach that would eventually crystallize into his mature style. The fact that two works of the same date survive in Reims suggests a possible local connection — a patron, a dealer, or an institutional acquisition — that secured these early works for the regional collection. Taken together, the Reims panels offer a rare window into Ribot's formation before his landmark 1865 Salon success brought him to national attention.

Like its companion, this panel work demonstrates Ribot's early technical grounding in careful observation of light on simple forms. The handling is methodical and somewhat linear, consistent with an artist still working out the looser, more atmospheric approach he would develop in the following decade.