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processione dei magi
Bernardo Parentino·1490
Historical Context
Bernardo Parentino's Processione dei Magi (Procession of the Magi) at the Cleveland Museum of Art, painted around 1490, depicts the celebrated journey of the three kings to Bethlehem in the lavish, procession-oriented format that Italian painters had been developing since Benozzo Gozzoli's Medici chapel frescoes. The Adoration of the Magi was one of the most popular subjects of Italian Renaissance painting precisely because it permitted the representation of an elaborate procession with exotic figures, rich costumes, horses, and landscape scenery — effectively licensing extravagance in an ostensibly devotional context. Parentino was a Paduan painter and Augustinian friar active in the Veneto, developing a distinctive style under the influence of Mantegna and the antiquarian culture of the Paduan humanists. His work combines Mantegnesque archaeological precision — Roman reliefs, inscriptions, architectural fragments — with the decorative richness of the Magi procession tradition. The Cleveland Museum of Art holds an exceptional encyclopedic collection with particular strength in Italian Renaissance painting, and Parentino's Magi procession occupies an important place in its representation of the Paduan school.
Technical Analysis
Oil on panel demonstrating the techniques characteristic of High Renaissance painting. The work shows competent handling of its subject matter within established artistic conventions.

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