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Porträt des Murtaza-Kuli-Khan
Historical Context
Murtaza-Kuli Khan was a Persian prince who had sought refuge at the Russian imperial court after political upheavals in Persia, and Borovikovsky's 1796 portrait of him is a striking document of the ethnographic diversity of the Catherinian court. The painter adapted his approach to the particular requirements of depicting a non-European subject, incorporating elements of Persian dress and physiognomy with the same careful attention he brought to Russian aristocratic portraiture. The Russian Museum holds the painting as evidence of the court's cosmopolitan reach and of Borovikovsky's flexible versatility as a portraitist.
Technical Analysis
The canvas required Borovikovsky to adapt his portrait conventions to a subject whose dress, colouring, and physiognomy differed significantly from his usual clientele. The Persian costume and turban are rendered with careful attention to their specific forms and textures. The face is modelled with the same careful precision as in his Russian portraits, demonstrating the transferability of his technique across different cultural subjects.
Look Closer
- ◆The Persian turban and court dress are rendered with careful material specificity that documents their actual appearance
- ◆The subject's physiognomy is depicted with the same careful individual attention as Borovikovsky's Russian sitters
- ◆The portrait documents the cosmopolitan court culture of Catherine the Great, where foreign princes were given official recognition
- ◆The painter's adaptation of his usual portrait conventions to this unusual subject demonstrates his professional flexibility

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