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Portrait of Pierre-Louis Laideguive by Maurice Quentin de La Tour

Portrait of Pierre-Louis Laideguive

Maurice Quentin de La Tour·1761

Historical Context

Pierre-Louis Laideguive was a French legal official, and La Tour's oil portrait of 1761 — now in the Museu Nacional d'Art de Catalunya in Barcelona — represents the artist's engagement with the prosperous professional middle class as well as the aristocracy and royal family. Laideguive occupied the kind of senior legal administrative position that was a pillar of French civic life, and his portrait by the most celebrated pastellist in France reflects the cultural aspirations of the noblesse de robe. The Barcelona provenance is unusual for La Tour's work and documents the international dispersal of French portraits through the European art market over two and a half centuries. The oil medium, which La Tour used less frequently than pastel by 1761, suggests a deliberate choice of the more conventional format for a professional official.

Technical Analysis

Oil on canvas, with La Tour's precise analytical handling maintaining his characteristic portrait intensity in the less favoured medium. Legal professional dress is rendered with the documentary attention La Tour brought to all costume, while the face receives the same penetrating observation as his royal commissions.

Look Closer

  • ◆Legal professional dress signals noblesse de robe status rather than court aristocracy
  • ◆The Barcelona provenance documents the international dispersal of French Rococo portraits through the art market
  • ◆Oil on canvas was La Tour's secondary medium by 1761, making this a deliberate format choice
  • ◆La Tour's analytical facial observation is equally present in oil as in his signature pastel medium

See It In Person

Museu Nacional d'Art de Catalunya

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Quick Facts

Medium
Oil on canvas
Era
Rococo
Genre
Portrait
Location
Museu Nacional d'Art de Catalunya, undefined
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Jean Charles Garnier d'Isle (1697–1755) by Maurice Quentin de La Tour

Jean Charles Garnier d'Isle (1697–1755)

Maurice Quentin de La Tour·ca. 1750

Prince Henry Benedict Clement Stuart, 1725 - 1807. Cardinal York by Maurice Quentin de La Tour

Prince Henry Benedict Clement Stuart, 1725 - 1807. Cardinal York

Maurice Quentin de La Tour·1746

Portrait of Mademoiselle Sallé by Maurice Quentin de La Tour

Portrait of Mademoiselle Sallé

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The Abbé Jean-Jacques Huber Reading (1699 –1747) by Maurice Quentin de La Tour

The Abbé Jean-Jacques Huber Reading (1699 –1747)

Maurice Quentin de La Tour·1742

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700