
Portrait of Gabriel Bernard de Rieux
Historical Context
Gabriel Bernard de Rieux was a President of the Paris Parlement — one of the senior legal officials of the ancien régime — and La Tour's 1740 pastel portrait, now at the J. Paul Getty Museum, is among the most technically ambitious works the artist produced in his early career. The scale and complexity of the composition — showing the magistrate in his formal robes surrounded by attributes of his legal office — is exceptional for a pastel, a medium usually reserved for more intimate formats. Bernard de Rieux's choice of La Tour for so ambitious a commission reflects both his cultural ambitions and the artist's growing reputation in the early 1740s. The Getty's holding of this work places it in Los Angeles as one of the great French pastel portraits outside France.
Technical Analysis
Large-scale pastel on paper, one of the most technically demanding works in La Tour's output. The complex arrangement of legal robes, papers, and official attributes required La Tour to render multiple different materials across an unusually large format. The face, at the compositional centre, receives the full intensity of his analytical observation.
Look Closer
- ◆The large scale is exceptional for pastel portraiture, demonstrating La Tour's technical ambition in 1740
- ◆Legal robes, papers, and official attributes constitute a complex multi-material rendering challenge
- ◆Bernard de Rieux's senior legal status within the Paris Parlement places him among the highest non-court officials
- ◆The Getty Museum provenance makes this one of the great French pastels held outside France
See It In Person
More by Maurice Quentin de La Tour

Jean Charles Garnier d'Isle (1697–1755)
Maurice Quentin de La Tour·ca. 1750

Prince Henry Benedict Clement Stuart, 1725 - 1807. Cardinal York
Maurice Quentin de La Tour·1746
.jpg&width=600)
Portrait of Mademoiselle Sallé
Maurice Quentin de La Tour·
.jpg&width=600)
The Abbé Jean-Jacques Huber Reading (1699 –1747)
Maurice Quentin de La Tour·1742



