Portrait of Elżbieta Skotnicka née Laskiewicz (1781–1849), Wife of Michał Skotnicki

Fabre's 1807 portrait of Elżbieta Skotnicka — a Polish noblewoman married to Michał Skotnicki — at the National Museum in Kraków documents the international reach of his Florence-based practice. By 1807 Fabre had established himself as the leading portraitist of the cosmopolitan exile community gathered around the Countess of Albany in Florence, and Polish aristocrats on the Grand Tour or in Italian exile during the Napoleonic reorganisation of Poland were among his clients. The portrait provides a double historical document: a Polish woman of the Polish partition era preserved in the smooth Neoclassical manner of a French-trained Italian-resident painter. The National Museum in Kraków, a major repository of Polish cultural memory, holds the work as an example of Polish aristocratic portraiture in the Napoleonic period.

The portrait employs Fabre's standard half-length formula with the even, controlled lighting and smooth facial modelling that characterised his mature style. Empire-period Polish aristocratic dress is rendered with the material precision that Fabre consistently brought to costume — fabric types clearly differentiated, jewelry depicted with heraldic accuracy.