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Portrait of a Young Man by Francesco Salviati

Portrait of a Young Man

Francesco Salviati·1525

Historical Context

Francesco Salviati was one of the most sophisticated Florentine Mannerists of the mid-sixteenth century, known for his decorative fresco cycles in Rome and Florence and for portraits of exceptional elegance. This Portrait of a Young Man, dateable to around 1525, is an early work predating Salviati's mature Mannerist style and shows him absorbing the lessons of Andrea del Sarto and the Florentine High Renaissance portrait tradition. The portrait of an anonymous young sitter reflects the genre's function in Cinquecento Florence as both social record and demonstration of painterly virtuosity. Salviati would go on to be one of the leading artists of the Medici court.

Technical Analysis

The young sitter is presented in three-quarter view with alert, self-assured bearing. Salviati models the face with fluid, even light, drawing on the Florentine tradition of warm, sculptural flesh tones. A hint of intellectual sophistication appears in the slightly raised brow and concentrated gaze, characteristic of Salviati's emerging portrait sensibility.

See It In Person

Doughty House

London Borough of Richmond upon Thames, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Era
High Renaissance
Style
High Renaissance
Genre
Portrait
Location
Doughty House, London Borough of Richmond upon Thames
View on museum website →

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Portrait of a Man by Francesco Salviati

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Francesco Salviati·1530

Portrait of a Lady by Francesco Salviati

Portrait of a Lady

Francesco Salviati·c. 1555

The Incredulity of Saint Thomas by Francesco Salviati

The Incredulity of Saint Thomas

Francesco Salviati·1537

The Holy Family by Francesco Salviati

The Holy Family

Francesco Salviati·1500

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