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Portrait de Paul-Guillaume Lemoine, dit le Romain (1755-?), architecte
Joseph-Benoît Suvée·1772
Historical Context
Painted in 1772 and held by the Musée Carnavalet in Paris — the museum dedicated to the history of the city — this portrait of architect Paul-Guillaume Lemoine, known as le Romain, depicts a practitioner of the other great classical design discipline alongside painting. Lemoine's sobriquet suggests a Roman formation, possibly from travel or study in Rome. Suvée's 1772 date is early in his Parisian career, and this portrait of an architect reflects the professional interconnections of the Paris arts world where painters, sculptors, and architects moved in common social and institutional circles. The Carnavalet's collection emphasizes Parisian cultural history, and this portrait contributes to the museum's documentation of the intellectual and artistic professions active in late Ancien Régime Paris.
Technical Analysis
The portrait of a fellow professional in a design discipline may include architectural references — rolled plans, a compass, or books — as attributes. Suvée uses his characteristic clear side lighting and three-quarter format, with careful attention to the sitter's intellectual physiognomy.
Look Closer
- ◆Architectural instruments or drawings may appear as professional attributes of the sitter
- ◆The three-quarter format positions the sitter as a professional rather than a social figure
- ◆Clear side lighting models the intellectual features with Suvée's characteristic precision
- ◆The portrait's Parisian institutional home preserves it as a document of city cultural life
See It In Person
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Le Dévouement des Citoyennes de Paris (The Dedication of the Citizens of Paris)
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Erminia and the Shepherds
Joseph-Benoît Suvée·1776
Achilles lays Hector's corpse at the feet of the body of Patroclus
Joseph-Benoît Suvée·1769

Portrait of Emmanuel van Speybrouck-Coutteau
Joseph-Benoît Suvée·1771



