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Lake Albano
Richard Wilson·1762
Historical Context
Wilson's Lake Albano from 1762 depicts the volcanic lake in the Alban Hills south of Rome that Wilson had studied during his Italian sojourn, combining topographical record with the golden atmospheric quality he had absorbed from Claude Lorrain's Italian landscapes. Lake Albano was the site of Castel Gandolfo, the papal summer residence, and its shores and wooded hills were among the most painted landscapes in European art. Wilson's version, worked up from Italian sketches after his return to England in 1758, shows how completely he had assimilated the Claudean approach — the warm golden light, the framing trees, the atmospheric recession, the small figures providing scale and narrative — while developing his own distinctive handling.
Technical Analysis
Wilson's oil on canvas demonstrates his mastery of Italianate light effects, with a warm, unified tonality and broad handling of paint that reduces topographical detail to essential atmospheric and compositional elements.
Provenance
Possibly Walter Spencer-Stanhope [d. 1822], Horsforth and Cannon Hall, Barnsley, Yorkshire. Simon Spencer-Stanhope [b. 1924]. (Banks Hall, Barnsley, sale, Henry Spencer and Sons, 16 September 1965, no. 229, repro.); (Thos. Agnew & Sons, London); purchased June 1966 by Mr. and Mrs. Paul Mellon, Upperville, Virginia; gift 1983 to NGA.[1] [1] Information from Thos. Agnew & Sons, supplied by Evelyn Joll.

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