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Oedipus Cursing His Son Polynices by Henry Fuseli

Oedipus Cursing His Son Polynices

Henry Fuseli·1786

Historical Context

Fuseli's Oedipus Cursing His Son Polynices from 1786 depicts one of the most anguished scenes in Greek tragedy — the blind Oedipus, guided by his daughters, pronouncing a terrible curse on his son who has come seeking his blessing. Oedipus Rex and Oedipus at Colonus were foundational texts of the tragic tradition that Fuseli's generation was systematically translating into visual imagery, and the psychological extremity of the Oedipus cycle — the horror of unknowing incest, the blind father's curse, the daughter's loyalty — provided material perfectly suited to Fuseli's interest in extreme emotional states. The work dates from his most productive period in London, when his position as one of the founders of British Romantic painting was being established.

Technical Analysis

Fuseli's technique creates a nightmarish atmosphere through extreme chiaroscuro and dramatically distorted figures. The blind Oedipus is rendered with terrifying, almost supernatural intensity, while the surrounding figures express horror and despair. The dark palette with sharp highlights enhances the scene's dramatic, Gothic power.

Provenance

Sold October 1791 by the artist to William Roscoe. (sale, Liverpool, 28 September 1816, no. 154, as _Oedipus devotes to the Infernal Gods His Son Polynices..._); purchased by Baxter.[1] (Maltzahn Gallery, London), in 1973; (Weiss Antiques, Zürich), in 1973; purchased 1974 by Paul Mellon, Upperville, Virginia; gift 1983 to NGA. [1] Hugh Macandrew, "Henry Fuseli and William Roscoe," _Liverpool Libraries, Museums and Arts Committee Bulletin_ 8 (1959-1960): 22-23, 35 (appendix I, no. 6), as whereabouts unknown since the Roscoe sale in 1816.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 149.8 × 165.4 cm
Era
Romanticism
Style
British Romanticism
Genre
History
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Milton Dictating to His Daughter by Henry Fuseli

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso) by Henry Fuseli

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

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Henry Fuseli·1796

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