Memory Copy of Holbein's Erasmus
Alphonse Legros·1837
Historical Context
Alphonse Legros' Memory Copy of Holbein's Erasmus demonstrates the 19th-century practice of copying Old Master works as both artistic training and homage. Legros, a French-born artist who became a major figure in British art education, maintained deep respect for the Northern Renaissance tradition. His copy of Holbein's famous portrait of the humanist scholar reflects his commitment to preserving and transmitting the Old Master tradition to his students.
Technical Analysis
The oil-on-wood technique deliberately emulates Holbein's precise, smooth panel painting style, though Legros' 19th-century sensibility emerges in the slightly broader handling and warmer tonality. The careful study demonstrates Legros' respect for Northern Renaissance craftsmanship.
Provenance
Painted 7 January 1861 for Edwin [1823-1879] and E. Ruth Edwards, Sundbury, England;[1] John Postle Heseltine [1843-1929], London; (his estate sale, Sotheby's, London, 27 May 1935, no. 61). George Matthew Adams (1878-1962), New York; gift 1956 to NGA. [1] A handwritten note composed 6 September 1880 by Ruth Edwards to J.P. Heseltine, pasted to the back of the painting, reads "This portrait was painted by Alphonse Legros while staying with us at Thames bank house, Sunbury, on the occasion of his visit to England. Sunday, January 6th 1861. Legros went with the Master to see the pictures at Hampton Court. The following day, Legros talking of the Hampton Court Holbeins said 'I will show what the Erasmus is at the Louvre' took up this panel, lying near at hand, and in a very few minutes painted this portrait from memory--". The note then quotes from Edwin Edward's journal: "Monday January 7th 1861. 'Legros painted for me to day from memory a copy of Holbein’s Erasmus in the Louvre a famous portrait to hang in my Library.'"
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